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How Time is in Fields
Indigo Dreams Publishing, 2019
‘Luminous and earthy’ (Cheltenham Poetry Festival).
This collection explores the way place contains all times, as well as traces of our recognisable predecessors.   There’s a lot of walking in this book, and an alertness to our shared space – with other lives, other creatures, other centuries. The round of the year is divided into the Old English months, reflecting shifts of folklore, season and state of mind. 
How rife they are in the lost places’, writes Jean Atkin of nettles. How rife is Atkin’s sharpened imagination in this intelligent, alert and brilliantly-wrought collection, in which the lost and invisible places of human history and the natural world are brought to teeming life.’  
David Morley

‘The book is marvellous. It is absolutely grounded in the landscape so much so that at times the reader feels the landscape and its inhabitants are speaking directly to us. And the language is earthy and idiomatic. I keep returning to individual poems, but wherever and whenever I dip in I am immediately enclosed in that net which binds the whole together.
A real achievement.’
John Killick

This intriguing volume of poetry grounded in folklore, rural landscapes, animals and humans and the elusive quality of time itself, is not to be missed.  Atkin’s strengths [are] beautiful phrasing, keen observation and that certain knack of expressing things seen and unseen, the ambivalence that is half-in and half-out of one’s poetic imagination’. 
Review by Neil Leadbeater in Write Out Loud, December 2019

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Luck's Weight front cover final

Luck’s Weight
Biscuit Tin Press 2015

Poems from my residency at Acton Scott Historic Working Farm, with photographs by renowned nature photographer Andrew Fusek Peters.

‘These poems cross land and time in the same step… their craft takes the reader close to the land and the labour upon which, despite all our forgetting, we still depend”.
 Dr Gregory Leadbetter

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Jean Atkin final coverFrontNot Lost Since Last Time 
Oversteps Books 2013

“It is impossible to praise this first full collection highly enough.  These are poems of great imaginative resonance, the work of a woman very close to life, able to feel the life of a house, listening to its past. In ‘O you angels, who guard the people’ (a line from Hildegard of Bingen), she tells us how she would ‘cajole deep memories out of walls: / calls, cries and prayers soaked into stone. / The ghosts walking, lifting latches.”
Anna Crowe, reviewing in The Dark Horse Spring/Summer 2013.

“In poems that flow naturally but strongly, Atkin repositions humanity in relation to the land.  She takes us into a far less familiar and more dangerous place – and it is that ‘feel for what’s not there’, for something beyond ourselves, that elevates this poetry and deepens our experience.”
Stuart B. Campbell, review in Northwords Now Summer 2013

“The first thing to note about her poems is their specificity.  Whether it is the places of her childhood, or the rough seascapes of the northern isles, they are all recreated with precision and a vivid turn of phrase.  Secondly, there is their brevity; this contributes to their memorability.  Thirdly, there is their historical sense: fact and myth are blended into coherent wholes.  There is a real consistency in this collection.
For those who like landscape, weather and a sense of the past, this book comes highly recommended.  And her Roncadora Press pamphlets come in delectable editions which could soon become collectors’ items.”
John Killick, reviewing in The North, No. 50.

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The Crow House_Jean Atkin FRONTcover

The Crow House 
Biscuit Tin Press 2013

Time travel was never this inconvenient – or terrifying…

The Crow House is old.
It has unsafe secrets and doors that aren’t like other doors.

“I read this to my class of 10-11 year olds and they were thoroughly gripped throughout.  The atmosphere is compelling from the outset and there’s a memorably terrifying villain. Highly recommended.”
Amazon review 3.1.13

For more about The Crow House click here.

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The Dark Farms_book1The Dark Farms
Roncadora Press 2012  
This is a short collection of poetry about the abandoned byres and dark skies of the Galloway Forest.  ‘ Jean Atkin’s beautifully crafted poems evoke the traditions and relics of human work as well as this dramatic, marginal landscape.’

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frontcover_HenkeepersAlmanac_01The Henkeeper’s Almanac
Biscuit Tin Press 2013
This is an artists’ book in collaboration with Pamela Grace.  It contains a poem and a painting for each month of the year.

The notion hatched as poet Jean Atkin prepared to leave twelve years of henkeeping on a smallholding and asked artist Pamela Grace to work with her to record it, in all its weathers and feathers.
Currently out of print
For more about The Henkeeper’s Almanac click here.


'Lost at Sea', Roncadora Press, 2011
‘Lost at Sea’, Roncadora Press, 2011

Lost at Sea
Roncadora Press 2011
Shortlisted for the Callum MacDonald Prize 2011.

… and ‘The Treeless Region’ (Ravenglass Poetry Press 2010), winner of the Ravenglass Poetry Press Competition 2010, judged by John Burnside.

Currently out of print